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Problems In Storytelling #1 – The Siege

The Siege #1 is the beginning Marvel's big new mini-series that will impact across the Marvel Universe and, presumably, bring on The Heroic Age. We've got Thor, Iron Man and Captain America sharing the same comic, big explosions, lots of action and lots of chess pieces doing their thing.All good superheroic stuff.

But in the middle of the comic there's a clunker. A page which refuses to be read. This one:

Problems In Storytelling #1 – The Siege

You've got two columns of panels, one on the left, one on the right, competing for the eye. Seriously, where is it meant to go? This way?

Problems In Storytelling #1 – The Siege

Well that makes no sense. Okay, let's try the other.

Problems In Storytelling #1 – The Siege

Again a no. Because you're meant to cross cross from column to column with no indication as to which is which, save context.

Problems In Storytelling #1 – The SiegeBasically you're reading a comic as if it were a jigsaw and that's not fair. Even with the art laid out as it was, this could have been fixed by judicious use of speech balloons. But it wasn't. Which is odd because shortly afterwards you get a far more complex double splash page that's a dream to read.

Problems In Storytelling #1 – The Siege

Wonderful. But come on chaps, stay consistent, especially on such a high profile book as this.


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Rich JohnstonAbout Rich Johnston

Founder of Bleeding Cool. The longest-serving digital news reporter in the world, since 1992. Author of The Flying Friar, Holed Up, The Avengefuls, Doctor Who: Room With A Deja Vu, The Many Murders Of Miss Cranbourne, Chase Variant. Lives in South-West London, works from Blacks on Dean Street, shops at Piranha Comics. Father of two. Political cartoonist.
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