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Review: Batman And Robin #4 by Grant Morrison and Philip Tan

Well, by stepping up and, in places, doing his best Frank Quitely impression in terms of storytelling. We have panels arranged like cards in different angles, each juxtaposing with the perspective on the scene. Lots of panels showing intricate scenes with just enough detail to show what's going on, but no more. And a very strong sense of presence, of which objects carry weight, of how a world hangs together.
The only thing missing is the chins and the lips.
Of course Tan gives his own flourishes as well, especially in the explosions and a wonderful reinvention of The Penguin for us, as a truly horrific creature, with just enough humanity to stop us writing him off as a monster.

As and the new Batman and Robin face an even newer counterparts in Red Hood and Scarlet (and pity the real owner of @scarlettraces as she starts to receive all sorts of odd messages on Twitter) so we see them actually fighting a grim and grittier version of themselves, with all the metatextuality that comes with it.
It's also one of the few superhero comics to even mention the recession and the strain that brings on a city like Gotham. And it's this kind of detail, and many other touches that make Batman And Robin the best superhero comic on the stands right now. I just hope its luck holds.
Batman And Robin #4 was published yesterday in the USA and today in the UK from DC Comics Entertainment.









