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Doctor Who: New Toymaker Image Released; #DoctorDonnathon Schedule
Along with a new image of Neil Patrick Harris' Toymaker, we also have the Doctor Who: #DoctorDonnathon binge-watch schedule for this weekend.
Article Summary
- A new image of Neil Patrick Harris' Toymaker from the Doctor Who 60th-anniversary specials was released by BBC.
- We also have a look at the schedule & previews for this weekend's #DoctorDonnathon binge-watch.
- David Tennant and Catherine Tate return on November 25 for the first of three special anniversary episodes.
- Directors Rachel Talalay, Tom Kingsley, and Chanya Button shared their excitement about the upcoming anniversary episodes.
With the BBC, Disney+, and Showrunner Russell T. Davies's upcoming three-episode Doctor Who 60th-anniversary special event kicking off later this month (November 25th, to be precise), the word went out last month that November 4th (beginning at 9:45 am UK time) was going to be a very special day. Because that's when the #DoctorDonnathon watch-along gives viewers a chance to revisit the Tenth Doctor (David Tennant)/Donna (Catherine Tate) dynamic over the course of 14 hours (with all episodes available on BBC iPlayer). Now, we have a look at how the schedule for the day is breaking down (in UK time) – but before we get to that… how about a new look at Neil Patrick Harris' Toymaker? Because that's what the BBC was kind enough to share earlier today – and it's what we're passing along to you below:
Doctor Who: #DoctorDonnathon Schedule & Previews
Here's a look at the times and episodes that will be in play during the binge-watch – along with when those all-important breaks are to go pee, grab some snacks, or just grab a few minutes of fresh air:
9:45 AM The Runaway Bride/Partners in Crime/The Fires of Pompeii
12:25 PM Break
12:40 PM Planet of the Ood/The Sontaran Strategem/The Poison Sky
2:55 PM Break
3:25 PM The Doctor's Daughter/The Unicorn and the Wasp
4:55 PM Break
5:10 PM Silence in the Library/Forest of the Dead | Midnight
7:25 PM Break
7:40 PM Turn Left/The Stolen Earth/Journey's End
10:18 PM Ends
Joining David Tennant (Fourteenth Doctor) & Catherine Tate (Donna Noble ) for the three-episode 60th-anniversary Doctor Who special event are Neil Patrick Harris in the big bad role as the Toymaker and Yasmin Finney as Rose – the daughter of Donna Noble and Shaun Temple (Karl Collins), with Jacqueline King returning as Sylvia Noble. In addition, Ruth Madeley is set to appear as Shirley Anne Bingham, and Bernard Cribbins is set to appear, reprising his role as Wilfred Mott posthumously. Fans of the comics can expect to see Beep the Meep (voiced by Miriam Margolyes) and the Wrarth Warriors play a major part, and – as if all of that wasn't enough – Ncuti Gatwa is expected to debut as the Fifteenth Doctor. And let's not forget that Jemma Redgrave will be returning as UNIT head Kate (Lethbridge-) Stewart.
Now, here's a look back at the official trailer for the upcoming three-episode special event – with "The Star Beast" hitting on November 25th (followed by "Wild Blue Yonder" on December 2nd and "The Giggle" on December 9th) – followed by a look at the trailer released by Disney+:
With all three episodes written by Davies, we learned the episode titles during this weekend's Eurovision 2023 broadcast: Special One: "The Star Beast" (directed by Rachel Talalay), Special Two: "Wild Blue Yonder" (directed by Tom Kingsley), and Special Three': "The Giggle" (directed by Chanya Button). Here's a look back to when that all became official:
Button, Kingsley & Talalay on Doctor Who 60th Anniversary Episodes
Directors Button, Kingsley & Talalay shared their reactions to first reading Davies's scripts with Doctor Who Magazine. "Each special has a really different flavour. It feels like Russell [T. Davies] flexing his muscles and showing all the different things 'Doctor Who' can do," Kingsley shared – a sentiment shared by all three directors. Here's a look at some of the highlights:
Kingsley Discusses "Absolute Nightmare" Episode, Teases "Aliens" & "The Thing" Comparison: "I opened mine and just tore through it. Even as a reading experience, it was so exciting. But I kind of got to the end of it and thought, 'Well, I pity whoever has to direct that cos it's an absolute nightmare!' I was planning to email my agent the next day and say, "It's amazing, but… no way." But when I woke up the next morning, I was still thinking about it, and I started to figure out: 'Well, how could you actually do this?' Because a lot of my episode is quite weird. Even at the readthrough, Rachel, your episode went down so well, and I was really jealous of you getting to direct it. Because there are so many complicated stage directions in mine, the reaction in the room was a bit like, 'Um, sorry, what?' Which made me think it was going to be a disaster. But of course, when you come to film it, it's actually really cool. It's got a lot of similarities with two of my favourite films, 'Aliens' and 'The Thing.' It's a little bit of the DNA of those mixed in with 'Doctor Who.'"
Talalay Read All Three, Outlines Some Key Differences Between Them: "I read all three, and my first reaction was, 'Wow!' The first one is classic family 'Who.' It's bringing back that world that Russell left [in 2010] with David and Catherine. And then after that, it becomes much more expansive, with Russell really throwing his massive imagination at it while also being thoughtful about setting up the next series.
Talalay's Episode Allowed Director a Chance to Embrace "The Stuff That Scares You": "My episode features lots of people in lots of scenes. There's soldiers, there's battles, and I thought, 'I haven't always succeeded in doing the action stuff, with loads of extras, that well in the past. This is really scary for me.' So I was determined to do that part really, really well. It's all about embracing the stuff that scares you."
Button's Episode "Was Just the Most Expansive Thing" That the Director Has Ever Read: "It was just the most expansive thing I've ever read. Every page I turned, it was a different world and a different idea and a different sort of bonkers and inspiring adventure. It was just the ultimate luxury to read it and go, 'This is a writer at the very peak of his abilities, completely unbound and confident in what he's putting on the page.' Which, as a director, is really empowering. It's challenging, in the most positive way possible, for someone to go: 'Here's a big idea; let's see how you do it.'"