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The Forgotten Prize Comics Crossover Saga: Superheroes vs Frankenstein

Dick Briefer put his Frankenstein monster through its paces in the Prize Comics run, including the Prize superheroes vs the monster.



Article Summary

  • Dick Briefer's Frankenstein debuted in Prize Comics #7, marking a milestone in comic book horror history.
  • The giant Frankenstein monster faced off against Prize Comics superheroes in a memorable crossover saga.
  • Briefer's version shifted from horror to humor, reflecting evolving character and genre trends of the era.
  • The series is notable for its twists, including Frankenstein's transformation and influence on later iconic characters.

Dick Briefer's Frankenstein has a complicated history in the context of comic book horror.  The debut of Briefer's take on the Frankenstein monster mythos began in Prize Comics #7, December 1940, which has come to be considered an important milestone in the context of comic book horror.  Early on, this version of the character was certainly horrific, but perhaps more akin to giant monster horror than gothic horror.  This Frankenstein monster was enormous — he was several times the size of a normal human and sometimes is shown to be large enough to carry a man in one hand.  Not quite the size of King Kong perhaps, but in the ballpark.  In fact, in his second appearance in Prize Comics #8, he climbed to the top of a skyscraper and fought a giant mutant crocodile in a clear nod to Kong's Skull Island battles.

The Frankenstein monster was put through his paces during this period, and before long, became a rampaging, villainous adventure character, hounded by humans. In many ways, his exploits began to resemble those of a certain later-era hulking monster which we're all familiar with today.  For example, in Prize Comics #24 (October 1942), the Prize Comics super-heroes (Yank and Doodle, the Black Owl, the Green Lama and Doctor Frost) teamed up to try to stop him. There's a Prize Comics #24 (Prize, 1942) CGC GD 2.0 Off-white to white pages copy up for auction in the 2025 October 16 Golden Age Comics Century Showcase Auction III at Heritage Auctions.

Prize Comics #24 featuring Frankenstein vs superheroes (Prize, 1942).
Prize Comics #24 featuring Frankenstein vs superheroes (Prize, 1942).

There's typically more focus on the humorous version of Briefer's Frankenstein, particularly as chronicled in much of the Frankenstein series that spun out of Prize Comics, but what he was doing in Prize Comics itself is vastly underrated. Briefer inserted himself into the story in Prize Comics #30, essentially complaining that he had no "Frankenstein news" to turn into a story that month, and from there the saga started taking some wild turns. The next issue saw the Frankenstein monster meeting Lucifer in one of the weirder tales of the series (which is saying something), and  soon, the U.S. Army was deployed to capture him.  After this, through treatment by a scientist to cure him of his wicked ways, the saga took a strange turn.  In Prize Comics #34 (September 1943) the character was made into a gentle giant and productive member of society as "Mr. Frankenstein", a very large, very strong dude with a nice sweater and a better haircut.  This version eventually fell under Nazi control, but then snapped out of that control and worked undercover as a Nazi to fight against them.  All the while, Briefer was taking the continuity of the character very seriously, and periodically reminded the reader of the history of all of these twists and turns.

Subsequent to the Frankenstein Nazi adventure, the story notes another twist.  "The truth of it all is that Frankenstein is cruel, wicked, bestial at night — and kind and humane by day," which again is similar to what would later become the original concept of Marvel's Hulk.  Briefer's art on the character had slowly been becoming looser and more cartoony through this period, and then with Prize Comics #45 (September 1944) the series quietly slips into comedy mode.  Perhaps the most famous aspect of the character's run, the comedy Frankenstein would continue through the beginning of the Frankenstein series itself in 1945.

But with the early 1950s rise in comic book horror, the character again took a turn.  Frankenstein #18 reboots the character and his title as a serious horror comic to bring it in line with what we now refer to as the Pre-Code Horror era.  Like most other horror comics of the period, Frankenstein's run as a horror comic was halted by the formation of the Comics Magazine Association of America Code and its Comics Code guidelines, which became a de facto requirement to get distribution to newsdealers in the United States.

The Comics Magazine Association of America adopted its Code on October 26, 1954, and Frankenstein ended with #33 cover-dated October-November 1954. But the character's run by Briefer in Prize Comics is absolutely incredible, and there's a Prize Comics #24 (Prize, 1942) CGC GD 2.0 Off-white to white pages copy up for auction in the 2025 October 16 Golden Age Comics Century Showcase Auction III at Heritage Auctions.

The cover of Prize Comics #24 features vibrant artwork with superheroes engaging in dynamic action near a statue resembling Abraham Lincoln. The title and issue number are prominent in bold lettering.
Prize Comics #24 (Prize, 1942)
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Mark SeifertAbout Mark Seifert

Co-founder and Creative director of Bleeding Cool parent company Avatar Press since 1996. Bleeding Cool Managing Editor, tech and data wrangler, and has been with Bleeding Cool since its 2009 beginnings. Wrote extensively about the comic book industry for Wizard Magazine 1992-1996. At Avatar Press, has helped publish works by Alan Moore, George R.R. Martin, Garth Ennis, and others. Vintage paper collector, advisor to the Overstreet Price Guide Update 1991-1995.
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