When you're Stacey Abrams and you're not busy helping spearhead and champion voting rights not just in Georgia but across the country- serving as one of the most important influencers in this election and helping flip the state in favor of President-Elect Joe Biden and Vice-President-Elect Kamala Harris, you're getting into fun discussions about pop culture topics. By now, we know that Abrams is a geek like us, proudly demonstrating her love for Doctor Who, Supernatural, etc. On Monday, we also got to see Abrams flex her geek street cred when it comes to one of the most debated topics in modern television: in Buffy the Vampire Slayer, who was better for Buffy (Sarah Michelle Gellar)? Angel (David Boreanaz) or Spike (James Marsters)?
Well, Abrams being Abrams? She was able to bring both sides to the table and break down what each of those "men" meant to Buffy in different aspects of her life: Angel was the right boyfriend as our slayer was growing and learning about her power, while Spike was the right boyfriend after Buffy embraced her power (though as you'll see below, Abrams does a much better job with the phrasing). One person who agrees whole-heartedly with Abrams's perspective? Buffy creator Joss Whedon, who we're assuming took a break from his work on HBO's The Nevers to tweet his social media "amen."
Here's a look back at Abrams's tweet from Monday, proving their wisdom extends far beyond the pantheon of voting rights and across the pop culture spectrum (we imagine she'd be great to binge The Mayor/Faith season with), followed by Whedon's seconding of Abrams's call on the Spike/Angel matter (before geeking out with excitement over Abrams DBuffy the Vampire Slayer):
A Look at the Cast for HBO's "The Nevers"
HBO and Whedon's The Nevers stars Olivia Williams (Miss Austen Regrets), James Norton (Grantchester), Tom Riley (Dark Heart), Ann Skelly (Death and Nightingales), Ben Chaplin (The Children Act), Pip Torrens (Preacher), Zackary Momoh (Seven Seconds), Amy Manson(Torchwood), Nick Frost (Fighting With My Family), Rochelle Neil (Death in Paradise), Eleanor Tomlinson (Poldark), Denis O'Hare (American Horror Story), Laura Donnelly (Outlander), Kiran Sonia Siwar (Brexit), Elizabeth Berrington (Good Omens), Ella Smith (Hoff the Record), Viola Prettejohn (The Witcher), Anna Devlin (12 Monkeys), and Martyn Ford (Kingsman: The Golden Circle).
Williams' Lavinia Bidlow is a wealthy spinster and champion of the "Touched" who funds the Orphanage (where Amalia and many of the Touched live) through her vast family fortune. She is stern and old-fashioned, but as strong-willed and clever as anyone she confronts. Norton's Hugo Swan is a pansexual posh boy whose charm has about five years left on its lease. He runs a secret club and a side trade in blackmail. He's devoted to fulfilling everyone's worst impression of him – and fascinated by the Touched.
Riley's Augustus "Augie" Bidlow is a sweet, disarming nerd and Lavinia's younger brother. A keen ornithologist, Augie is happy to let his older sister take the reins of the family fortune. He finds the Touched unnerving but is drawn to them by his increasing infatuation with Miss Adair, and by the schemes of his nefarious best friend, Hugo. Skelly's Penance Adair is Amalia's (Donnelly) dearest friend, and one of the first women to join her cause. A devout – yet heretically progressive – Irish girl, Penance has a genius for invention. She is delighted by her power, and her default is love and acceptance. But she's firm in her moral sense and will be guided by what's right over what's expedient every time.
Chaplin's Detective Frank Mundi is big, gruff, and deeply moral. He trusts no one, least of all himself: his reputation for sudden violence (and excessive drink) is not unwarranted. Frank finds himself caught between the powerful, who ignore the laws of the land, and the newly empowered, who ignore the laws of physics. Torrens' Lord Massen is staunch, unflappable, and merciless in his defense of the British Empire A former General and now Peer, Massen may be the only man who sees clearly what havoc these few strange people can wreak upon the established order. Which he will protect – one way or another.
Momoh's Doctor Horatio Cousens is one of the few successful West Indian physicians in London. Married with a young son, Horatio's fortunes took a dark turn when he met Amalia and discovered his own ability. Now he works with her, and with the Beggar King, those who don't care who is or isn't "different." Manson's Maladie was committed by her husband (and is genuinely unstable), warped by a power she can't understand, and tortured by doctors intent on finding its source. She now lives underground, runs a gang, and is on an infamous murder spree. She affects a theatrical parody of a bedlam waif, but mad as she is, she's a woman with a purpose.
Frost's Declan Orrun aka The Beggar King is charismatic and brutal. Declan runs – or has a piece of – most of the low-level criminal activity in the city. He's perfectly happy to help Amalia and her cause – and equally happy to sell them out. He backs winners, and the Touched are long odds. Neil's Annie Carbey aka Bonfire is a career criminal who landed the ability to control fire and is happy to hire it out. Came up rough, stayed that way, but she's neither impulsive nor cruel – just looking out for herself. No matter who she works with or for, Annie trusts only Annie, and the fire.
Tomlinson's Mary Brighton is gentle but surprisingly resilient, pursuing her dream of singing on stage. A disappointing career and a broken engagement haven't diminished her spirit. She's going to be great. She's going to be very surprised by how. O'Hare's Dr. Edmund Hague is a gifted American surgeon who uses his skills in the coldest, most brutal way possible. But it's all in the name of "progress". Siwar's Harriet Kaur is a young Scottish Sikh who lives with the Orphans but is accepted by both her family and her betrothed. She's determined to live her life as she planned, despite its increasing weirdness.
Berrington's Lucy Best is a dirt-poor and streetwise woman who has given up thieving to live with the Orphans. Her wit and high spirits mask a tragic past. Smith's Desiree Blodgett is a prostitute whose power makes men tell her everything on their minds. What she's heard may get her killed, even though she doesn't listen to most of it. She's devoted to her 6-year-old son, who never speaks. Prettejohn's Myrtle Haplisch is a middle-class girl rescued from a family who can't understand her — literally, as she no longer can speak — and is thrilled to be at the Orphanage. Devlin's Primrose Chattaway wants to be an ordinary, proper 16-year-old girl — which is difficult, as she stands 10 feet tall. Ford recurs as Nicolas Perbal, aka Odium, the quintessential henchman who will do anything for anybody's money.