Dolby Vision Archives

Despite its initial flop status at the box office for Universal, the film based on the Bryan Lee O'Malley comic developed quite a cult following leading up to its limited rerelease in Dolby Vision and Dolby Atmos formats in theatres Wright, cinematographer Bill Pope, sound mixer Julian Slater, colorist Stephen Nakamura, and editor Paul Machliss[...]

Image courtesy of Universal Pictures Wright said the Dolby Vision and Dolby Atmos enhanced versions of the film were courtesy of the combined efforts of himself, sound mixer Julian Slater, colorist Stephen Nakamura, cinematographer Bill Pope, and editor Paul Machliss The director also promised a 4K Ultra HD Blu-ray release "So, this has long been in[...]