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Doctor Who "Revolution of the Daleks" Brings Back Bronzed Big Bads

Between the New Year's Day premiere of Doctor Who Special 2020: "Revolution of the Daleks" and Monday marking the anniversary of their 1963 debut, fans have been getting more than their fill of Daleks lately. Just this week, fans had a chance to reflect on what the Daleks have been up to since their 2005 return, hear from legendary Daleks voice actor Nicholas Briggs about voicing the iconic characters, and a look at the new edition of Daleks- or as they were presented, "The Defence Drones." Now, viewers are getting another piece of the "Revolution" puzzle in the form of the new image of Captain Jack (John Barrowman) with a Dalek that was also released this week. Notice something different about that Dalek than the ones we've seen so far? Yup, that's right: it's a bronze Dalek, which means the special will definitely be represented by the OG class- even if for just a cameo.

In "Revolution of the Daleks," the Doctor (Jodie Whittaker) is locked away in a space prison, leaving Captain Jack, Yaz (Mandip Gill), and series-departing Graham (Bradley Walsh) and Ryan (Tosin Cole) to save the Earth from the machinations of a new version of the Doctor's arch-enemy. Joining the special are Chris Noth (Sex and the City), who will be back as the disgraced Jack Robertson. Dame Harriet Walter (Killing Eve, Succession) will also be making her Doctor Who debut for the special, alongside television star Nathan Stewart-Jarrett (The Trial of Christine Keeler).

Viewers last saw the Thirteenth Doctor at the end of season 12, where her fate was left hanging in the balance as she was locked away in a high-security alien prison with no hope of escape. In the upcoming New Year's Day special, Yaz, Ryan, and Graham are far away on Earth and having to carry on with their lives without her. However, they soon discover a disturbing plan forming. A plan which involves a Dalek. How can you fight a Dalek without the Doctor? Even with Captain Jack's help, the gang is set to face one of their biggest and most frightening challenges yet.

As we mentioned in previous posts, something viewers should know about "Revolution of the Daleks" is that it's pulling double-duty: serving as both a stand-alone episode as well as a sequel to 2019's "Resolution (of the Daleks)." In fact, from what showrunner Chris Chibnall and executive producer Matt Strevens had to say, it sounds like a rewatching before "Revolution" might be in order. "I kept to using just one Dalek in 'Resolution' because they're powerful things singly anyway, so that's fun just to be able to give one that space. But also I was planning to bring them back in greater numbers for this episode," Chibnall revealed. "We knew that when we said goodbye to the Reconnaissance Dalek, when it was jettisoned out of the Tardis doors into a supernova at the end of 'Resolution,' that that would not be the end of it. Chris already had the idea of this return, that the next time we see the Daleks, it'd be straight into a sort of origin story for the version in our era of the series."

When it came to designing a new look for the iconic villains, Chibnall wanted to make sure that they went with a look that would be unique while still staying true to the Daleks. "We wanted something sleek, shiny and powerful, and slightly different from any Dalek you've seen before," he revealed. "There's always a pressure when you refresh any Doctor Who monster. But equally, that's part of the job and that's part of what keeps it new and interesting." That said, neither Chibnall nor Strevens are looking to replace what came before them. "You're never replacing what's gone before, you're just adding a new variant," Chibnall explained. "It's just this story is about these black and red Daleks, which light up at night and do all sorts of things." Strevens agrees, adding, "You want to contemporize them, and make them hold up to scrutiny under modern filming techniques, and to look as high-end as you possibly can. You can't stray too far from the classic design – but then what can you do within that? How can you make them feel different and relevant, and sexy, and lethal as well?"

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