REVIEW: Van Helsing 2020 Annual: Bloodlust is a great, standalone horror comic from Zenescope that offers a jumping-on point to new readers.
Review Archives
REVIEW: Shadow Service #4, an urban fantasy comic from Vault, fleshes out its supporting cast with an emotional (and disgusting) flashback.
REVIEW: Chu #5 is a climax drawn with intensity and humor, but it's the set-up for what's to come that makes Saffron a truly interesting lead.
REVIEW: Angel & Spike #15 sees Oz from Buffy the Vampire Slayer join Angel's crew, but his iconic stoic disposition seems to be forgotten.
This ground level issue takes a look back at the dust-up over the Superhuman Registration Act that pitted Captain America against Iron Man over the idea
Have you ever seen one of those people who hold a huge cardboard arrow sign, or maybe someone dressed up as the Statue of Liberty or some corporate
REVIEW: The Autumnal #3 feels like Stephen King by way of Ari Aster as Daniel Kraus & Chris Shehan bring the horror into terrifying focus.
The All-Father Thor is all but absent from this frustrating issue that posits the idea that Donald Blake -- the manufactured identity Thor's father Odin
No matter what is happening in Gotham City, there is one neighborhood that’s always on a different page. The Hill is a predominantly Black neighborhood
REVIEW: Lonely Receiver #3 sees artist Jen Hickman's work shine as Catrin descends into a spiral of madness and violence.
REVIEW: Deadpool #8 shows Kelly Thompson creating an empathetic Deadpool that is still every bit as funny, crude, and badass as expected.
REVIEW: Shadow Service #3 is a bit exposition-heavy for a third issue but, once it gets going, it mixes horror and action with style.
The pulse pounding series has come a long way from its roots as the dirty missions force the United States government denies. With almost the entire
In the words of the philosopher Alvin Joiner, "so it all comes down to this ..." This may as well be considered a review for X-Men #15 and Excalibur #15
Revolutionary Girl Utena: After the Revolution is a partial sequel to the groundbreaking 80s manga and anime series Revolutionary Girl Utena.
With a notably cinematic flair and deep characterization, this intense look beyond the looking glass takes the canonical history of the DC Universe. It
REVIEW: Belle: Horns of the Minotaur sees writer Dave Franchini take Zenescope's Batman in an interesting new direction.
Victor von Doom has a fatal flaw, one that's consistent in his character and has been exhibited as far back as the original Secret Wars, if not further
REVIEW: Stillwater #3 is Chip Zdarsky's master class on exposition as he turns what could've been an info dump into the best issue yet.
REVIEW: Big Girls #4 by Jason Howard is a nuanced exploration of what happens when people look at each other as monsters.
The Metabarons: Second Cycle is the collection of six albums worth of The Metabarons spinoff comic. (Rumor has it there’s supposed to be another two
Sneeze is a collection of Noaki Urusawa’s recent short stories. They’re ditties, trifles, little bites of whimsy, and oddness that reveal his
REVIEW: Taskmaster #1 is to Jed McKay as what Superior Foes was to Nick Spencer, even with an egregious use of the best comic SFX ever.
REVIEW: Shang-Chi #1 is an impossibly corny debut, featuring a script that feels like it was found in a decades-old filing cabinet.
The pages of Big Girls #4 take to heart the Jason Derulo lyrics, "when the roof caved in and the truth came out." A series of flashbacks and revelations
This is a remarkably well put-together comic book, a done-in-one that swings the camera around to ground level and shows lives affected in real-time by
In 2018, Batman #55 showed the KGBeast shoot a glancing shot off the skull of Dick Grayson, robbing the Bat's erstwhile ward of his memories between the
REVIEW: Getting it Together #2 is a fun read. Jack's storyline & bonus comic stand out... but is Lauren not just a straight-up villain?
REVIEW: Seven Secrets #4 shows that this series from Tom Taylor and Daniele Di Nicuolo has high potential that it's beginning to tap into.
REVIEW: We Only Find Them When They’re Dead #3 is beautifully illustrated but the relentless amount of close-up shots is disorienting.