The Fabelmans is Spielberg at his best, telling a personal story while also being a love-letter to the filmmaking process.
Review Archives
The Fabelmans is an overly long love letter to the concept of filmmaking and how creatives tend to put so much of themselves into the works that they end
Glass Onion: A Knives Out Mystery starts out a little rough, but as each new layer of the mystery gets peeled back like an onion, the film recovers from
Disney Strange World is a predictable and lifeless ode to pulp style storytelling that should be much more entertaining than it is.
Bones And All is one of the year's best, and a film that will stay with you long after the credits roll. Expect some awards here.
Strange World isn't anything special, and while it is more clever than you think it will be by the end, it is destined to be forgotten as it will likely
Bones and All is a fascinating exploration of the juxtaposition between a rather familiar story of people looking for love and acceptance with the bloody
Disenchanted takes a little while to get going, but when it does it is quite the treat and a worthy successor to the original.
Decal's I'm Totally Fine is a touching sci-fi comedy of loss and grief while reminding audiences to enjoy the little moments in life.
Run Sweetheart Run features a wonderful performance by its lead, but ultimately feels like too many films smashed together.
Shudder's V/H/S 99 presented us with five unique stories, too bad only two out of the three struck horror gold for the franchise.
Black Adam is nothing we haven't seen before. Entertaining, it will only be remembered for the after credits scene.
Kevin Smith is able to tell his most heart-warming story in Clerks III with soulful performances from Brian O'Halloran & Jeff Anderson.
Magnolia Pictures' explores the horrors of fatphobia and the cruelty of society in Piggy, a new film directed by Carlota Pereda.
Halloween Ends is interesting for sure, and while the choices they make are entertaining, it is a mess and is not a satisfying conclusion.
Amsterdam is a complete mess, and one of the worst films of David O. Russell's career. It is now playing in theaters everywhere.
A Silent Voice will be coming to theatres nationwide thanks to Eleven Arts and Anime Expo for the latest installment of AX Cinema Nights.
Shudder's found footage horror-comedy, Deadstream, has plenty of fun and terrifying moments that balance out its flaws.
The new Hellraiser is gory, gorgeous, and a fantastic addition to the franchise. It is now streaming on Hulu.
Mr. Harrigan's Phone is now on Netflix and it is sadly on of the more uneven Stephen King adaptations of recent years.
Pierre Tsigaridis' horror film of dark tales, Two Witches, has plenty to offer visually, but the clumsy writing & story get in the way.
Hocus Pocus 2 is out on Disney+ today, and while they are not reinventing the wheel here, it is the same quality as the first.
Rob Zombie's The Munsters is out today, and it is really terrible, which is a huge bummer. You can see it on Netflix or Blu-ray.
Goodnight Mommy is a complete mess, more concerned with preserving its mystery than telling a captivating story. It is on Prime Video now.
Better Noise Films' The Retaliators is an entertaining watch but we couldn't get past some of the flaws in the story of revenge & grief.
20th Century Studios' Barbarian, a new horror film from Zach Cregger, surprises us with twisted comedy & further hatred of basements.
Saban Films' House of Darkness is a classic reimaging of a Dracula-inspired tale classic horror fans might enjoy from director Neil LeBute.
Three Thousand Years Of Longing is a solid return for George Miller, but the last act runs out of steam fast, which is a shame.
Orphan: First Kill expands on the 2009 film with Isabelle Fuhrman creating more nuance to Esther 13 years later with strong supporting cast.
Emily The Criminal is elevated to another level by a standout performance by Aubrey Plaza. It is now playing in theaters.