Posted in: BBC, Doctor Who, HBO, Preview, streaming, Trailer, TV, YouTube | Tagged: bbc, bbc america, bleeding cool, cable, captain jack, daleks, doctor who, graham, jodie whittaker, john barrowman, preview, revolution of the daleks, series 13, streaming, tardis, teaser, television, trailer, tv, Yaz

Doctor Who Star John Barrowman Doesn't Know "Jack"- Or Does He?

By now, all of you know how things are looking for the Doctor (Jodie Whittaker) heading into the Doctor Who Festive Special 2020 "Revolution of the Daleks" on New Year's Day: locked away in space prison. This means it will take a series-returning (for this round) Captain Jack (John Barrowman), series-departing Graham (Bradley Walsh) and Ryan (Tosin Cole), and series-staying Yaz (Mandip Gill) to save the Earth from the machinations of a new version of the Doctor's arch-enemy. Needless to say, there's a lot going on there- and we haven't even touched upon how it could lay the groundwork for where the show goes when Series 13 debuts.

So the BBC and BBC America decided that today might be a good day to relax, take a deep breath, and have a good laugh- courtesy of Barrowman and a few rounds of "What My Line?". In the clip below, the all-around entertainer sees just how much about Captain Jack he truly knows- and small spoiler? It's pretty impressive:

Joining the special are Chris Noth (Sex and the City) as the returning (and disgraced) Jack Robertson, as well as Dame Harriet Walter (Killing Eve, Succession) making her Doctor Who debut alongside television star Nathan Stewart-Jarrett (The Trial of Christine Keeler). Now here's a look back at the original announcement trailer for the special, followed by some more intel on our new Daleks.

Viewers last saw the Thirteenth Doctor at the end of season 12, where her fate was left hanging in the balance as she was locked away in a high-security alien prison with no hope of escape. In the upcoming New Year's Day special, Yaz, Ryan, and Graham are far away on Earth and having to carry on with their lives without her. However, they soon discover a disturbing plan forming. A plan which involves a Dalek. How can you fight a Dalek without the Doctor? Even with Captain Jack's help, the gang is set to face one of their biggest and most frightening challenges yet.

As we mentioned in previous posts, something viewers should know about "Revolution of the Daleks" is that it's pulling double-duty: serving as both a stand-alone episode as well as a sequel to 2019's "Resolution (of the Daleks)." In fact, from what showrunner Chris Chibnall and executive producer Matt Strevens had to say, it sounds like a rewatching before "Revolution" might be in order. "I kept to using just one Dalek in 'Resolution' because they're powerful things singly anyway, so that's fun just to be able to give one that space. But also I was planning to bring them back in greater numbers for this episode," Chibnall revealed.

"We knew that when we said goodbye to the Reconnaissance Dalek, when it was jettisoned out of the Tardis doors into a supernova at the end of 'Resolution,' that that would not be the end of it. Chris already had the idea of this return, that the next time we see the Daleks, it'd be straight into a sort of origin story for the version in our era of the series."

When it came to designing a new look for the iconic villains, Chibnall wanted to make sure that they went with a look that would be unique while still staying true to the Daleks. "We wanted something sleek, shiny and powerful, and slightly different from any Dalek you've seen before," he revealed. "There's always a pressure when you refresh any Doctor Who monster. But equally, that's part of the job and that's part of what keeps it new and interesting." That said, neither Chibnall nor Strevens are looking to replace what came before them.

"You're never replacing what's gone before, you're just adding a new variant," Chibnall explained. "It's just this story is about these black and red Daleks, which light up at night and do all sorts of things." Strevens agrees, adding, "You want to contemporize them, and make them hold up to scrutiny under modern filming techniques, and to look as high-end as you possibly can. You can't stray too far from the classic design – but then what can you do within that? How can you make them feel different and relevant, and sexy, and lethal as well?"

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