Warren Ellis Weighs in on Avengers: Infinity War, Spoiler Free

Every Sunday Warren Ellis sends out Orbital Operations, his weekly newsletter where he talks about his current projects, thoughts, commentary on culture and recommendations for music, books, movies, television and whatever else took his fancy in the past week.

Warren Ellis Weighs in on Avengers: Infinity War, Spoiler Free
Warren Ellis at SDCC, Photo by Gage Skidmore

This week, he talks about the latest Marvel movie rolling over the planet's box office and cultural landscape like an all-crushing juggernaut squashing any other cultural event unfortunate to be released in its path, Avengers: Infinity War.

Avengers: Infinity War imax poster

If you're reading this, you probably already know Warren has written his share of apocalyptic superhero crossover sagas for Marvel, Wildstorm and Avatar Press.

He spoils nothing and provides some cogent thoughts about the movie, as a corporate product in the current age of capitalist branding:

"So. INFINITY WAR, then. No spoilers.

It is perhaps best understood as an unprecedented brand power move. It is not "a film" as that term is commonly understood. It is a sequence of connections. It's a statement from a bizarre place of popular-culture ownership. It's a statement that they have done ten years of film storytelling, often with very conventional story templates, so that everyone in the world will show up for what is often an extraordinarily unconventional story-like event with one extremely unexpected tonal shift.

It, by design, makes no sense unless you've watched most if not all of the other Marvel films. There cannot be a casual viewer of this emanation. Only a committed one. It is likely to be the largest worldwide opening of all time, as I write this, even though it's not opening in China or Russia this weekend.

The production values are near-perfect. The days of the slightly janky AVENGERS special effects are long gone, and every pixel is painted with jewelled, exquisite skill. As a visual experience, it is peak Marvel. The mocap on Josh Brolin makes Thanos a far more effective "CGI villain" than the waste of Ciaran Hinds on JUSTICE LEAGUE, which had all the performance nuance of a level boss in DOOM II.

Per the trailer, I think it was a brave choice to have the evil spaceship apparently designed by James Dyson.

The writers and the directors worked very, very hard to make something that did not feel beholden to rules. They'll stop the thing dead for sixty seconds to do a gag. There are a lot of gags. I mean, no possible joke goes unjoked. Nothing I say here should be taken to denigrate the work of those people. They have achieved a remarkable thing.

(Special nod to whoever designed the sonics for the next-to-final scene.)

It is not a movie. It is a brand manifestation that wants to have prolonged, eager and reasonably skilled cultural sex with you. It wants your experience with its content™ to be satisfying and it hopes you are pleased enough to return for further interaction with the Brand. This is a very 21C thing. I like it for that alone, to be honest.

AVENGERS 4 happens next year, of course, and I will be interested to see how they stick the landing. But, in terms of cultural power plays, this one is the pinnacle."

Of course, Warren talks about other topics as well, but you all really want to read about Avengers: Infinity War, don't you? He also recommends Mythos, an excellent fantasy thriller on BBC Radio for those of you hungry for some good Vertigo Hellblazer-style stories.

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About Adi Tantimedh

Adi Tantimedh is a filmmaker, screenwriter and novelist who just likes to writer. He wrote radio plays for the BBC Radio, “JLA: Age of Wonder” for DC Comics, “Blackshirt” for Moonstone Books, and “La Muse” for Big Head Press. Most recently, he wrote “Her Nightly Embrace”, “Her Beautiful Monster” and “Her Fugitive Heart”, a trilogy of novels featuring a British-Indian private eye published by Atria Books, a division Simon & Schuster.