In light of the release of the Netflix adaptation of the comic book Bodies by the late Si Spencer, Dean Ormston, Tula Lotay, Phil Winslade, Megan Hetrick and Lee Loughridge, a CGC 9.8 slabbed copy of the first issue of the series published in 2014 by DC Comics/Vertigo has sold on eBay for $125 Only nine were[...]
phil winslade Archives
Of the short stories, the standouts were the Wonder Woman/ Solomon Grundy one by Jerry Ordway, Wendy Broome, and Saida Temfonte, and the Mister Freeze one by Louise Simonson, Phil Winslade, Carrie Strachan, and Carlos M Mangual Mister Freeze as a mage using magic to save his beloved? More of that please The Batman/ Lucious[...]
in the last episode of the current series of Lawless by Dan Abnett and Phil Winslade; Cursed Earth Koburn is caught in the centre of outright chaos in 'The Law of the Cursed Earth' by Rory McConville and Carlos Ezquerra; the dimensional wall is breaking apart in the DREDD movie sequel 'The Dead World' by[...]
We ran a piece yesterday looking at the DC Comics reinvention of Top Cat by DC co-publisher Dan DiDio and Phil Winslade In which a Top Cat and Benny The Ball from a fully cat-anthropomorphic world escape into the DC Universe and bump into Batman.
I read comments that this was very familiar territory, to Steve[...]
Tickets have sold out, but Bleeding Cool will be there to help you experience the show, even if you can't make it.
Guests:
Abigail Ryder, Al Ewing, Alan Barnes, Alan Grant, Alec Worley, Andrew Currie, Andy Diggle, Annie Parkhouse, Arthur Ranson, Ben Oliver, Ben Willsher, Boo Cook, Carlos Ezquerra, Charlie Adlard, Chris Blythe, Chris Weston, Clint Langley,[...]
By Olly MacNamee
With the recent release of the warts and all documentary, Future Shock! The Story of 2000AD, documenting the history of the galaxy's greatest comic, I was able to sit in on the panel accompanying an exclusive screening at Birmingham's The MAC and listened in as Paul H Birch interviewed 2000ADalumni Phil Winslade, Ian Richardson and Ian[...]
By Olly MacNamee
Phil Winslade has worked for 'em all at one time or another, making a splash with titles such as Goddess and Howard The Duck With his recent welcome return to the pages of 2000AD, with his Lawless strip alongside Dan Abnett, there was no better time to catch up with Winslade and shoot[...]
Another enjoyable adaptation was Garth Ennis and Phil Winslade's take on Sassoon's The General Winslade's crisp, intricate imagery really transports the reader back to that time He used the book The Faces of World War I as reference, and because of it the final product is amazing as it is historically accurate Other adaptations in[...]
But this one, this grates.
Steven Grant and Phil Winslade, commissioned by Karen Berger, created a 120 page graphic novel called Piecemeal The project then moved to another editor Who didn't like it or support its continued creation The book was finished and paid for.
And then never published.
A sci-fi graphic novel about nanotech and body modification,[...]
For the fourth (I think) time.
Originally spinning out of Dave's time at Quality Communications working on Warrior, he and Garry Leach created Atomeka, to publish A1, containing the creator owned work of Alan Moore, Garry Leach, Brian Bolland, Warren Ellis, Steve Pugh, Ted McKeever, Neil Gaiman, Dave McKean, Phil Winslade and many more, in a[...]
A couple of years ago, JG Jones began writing a six issue story for his Doc Savage, with Phil Winslade on art, that started with issue 13.
The comic was cancelled with issue 17, leaving a hanging "To Be Continued" tag… that was never picked up.
Until now.
Without fanfare, without announcement, almost hoping no one would notice,[...]
Jimmy Palmiotti, Justin Gray have waited the right amount of time for the book to be out of print, jumped through all the hoops they needed to and now, finally, have claimed their "creator owned" series Monolith back from DC Comics.
The twelve issue series ran through 2004 and 2005 with art from Phil Winslade, Tomm[...]
Phil Winslade is one of my very favourite comic book artists His work, especially on Goddess for Garth Ennis, is amazingly intricate, yet also full of action and black spotting, with plenty of panels where it's hard even to see how the work was achieved Brian Bolland on angel dust The campaign for Absolute Goddess[...]