Kaitlyn Booth Archives

Overlord is a bloody good time at the movies perfectly blending war drama and horror.The film works for the best of reasons: everyone does their jobs well.

Boy Erased is a sincere and empathetic look at source material that is enraging.

The Grinch takes a classic short story and adds some pointless plot digressions and then seems to completely miss the point by the end.

Bohemian Rhapsody might have some spectacular moments but it never forms a cohesive whole or have anything of merit to say about its subject.

Suspiria is a bit of a long ride but the tension leads to fantastically bloody and insane ending.

The Nutcracker and the Four Realms might be visually beautiful but seems to fall apart with uninteresting characters and murky motivations.

As we move into the second episode of the season two of The Gifted several character begin to doubt the roles they place in this conflict.

The Hate U Give is a heartbreaking look at the all too familiar story of police violence and humanizes the people involved.

There are plenty of stories remade with the times and A Star is Born is one of those stories. Add one of the best voices of the generation and it takes it to a whole new level.

Bad Times at the El Royale is a twisty, bloody, breath of fresh air to the action-thriller genre.

Venom feels like very much feels like a relic of the past that hasn't bothered to adapt to a superhero genres changing times.

A Simple Favor features two killer performances by its female leads while mixing the intrigue of Gone Girl without taking itself too seriously.

The Predator features a fantastic cast that is wasted with a production that was hacked to the bone in post production.

"The Happytime Murders" somehow goes for the laziest possible jokes while also trying way too hard to be crude. Here's one of our reviews.

Mile 22 takes the extremely talented Iko Uwais and puts him in a clichéd story with terrible editing that hides his skills as a fighter.

Alpha feels like an independent feature in the best and worst ways; it's wonderfully acted but poorly paced.

Crazy Rich Asians features an absolutely fantastic cast, clever writing, and enough style to overcome any rom-com clichés it indulges in.

BlacKkKlansman is funny in a way that proves to be absolutely terrifying as the reality of the situation, past and present, comes to light.

The Meg is advertised as a fun and silly shark movie, but it has long, boring stretches and takes its 70-foot shark way too seriously.

Christopher Robin takes a little while to get going and might have trouble finding an audience, but it's a sweet family movie nonetheless.

Mission: Impossible - Fallout continues the upward trend of the Mission: Impossible movies by featuring stunning action set pieces and an excellent story.

Teen Titans Go! To the Movies continues the deconstruction trend of superhero movies -- only this time with a target set on the younger audience.

The Spy Who Dumped Me has a few winning jokes, but it falls short of being anything more than a mediocre spy movie.

The Darkest Minds might appeal to its target demographic, but they deserve something that isn't this poorly paced or this unoriginal.

Skyscraper wants to be the next Die Hard, but it misses the point in favor of meaningless, over-the-top action scenes.

Ant-Man and The Wasp is a fun little movie that is much more focused on the lives of its characters than world-ending events, and it's better for it.

Jurassic World: Fallen Kingdom has a few bright spots, but they are either few and far between or were spoiled in the marketing.

Tag is one of those rare comedies where the jokes land more often than they don't and there is genuine heart behind all of the humor.

Incredibles 2 brings back the Barr family in this fantastic sequel to one of the best movies Pixar has ever made.

Won't You Be My Neighbor? is the best kind of documentary as it beautifully explores the life of a great man.