Posted in: Comics, Swipe File | Tagged: battlestar galactica, Comics, entertainment, last resort, lion king, Swipe File, tv
Look! It Moves! by Adi Tantimedh: SWIPE FILE – Silent Services And Last Resorts
Last week saw the debut of a rather unusual military thriller series THE LAST RESORT on ABC. It was unusual for reasons that weren't immediately clear until I stopped and thought about it.
When I first read the pitch for THE LAST RESORT months ago, about a nuclear submarine that goes rogue and declares itself an independent nuclear power, I thought, "Hang on, isn't that the exact same plot as THE SILENT SERVICE?"
THE LAST RESORT is about the crew of a US nuclear submarine that goes rogue and declares itself an independent nuclear power, setting off an international crisis with the US and the world after them.
THE SILENT SERVICE is about the Japanese crew of a nuclear submarine built by the US and Japanese Navy that goes rogue and declares itself an independent nuclear power, setting off an international crisis with the US and the world after them.
In case you were wondering, THE SILENT SERVICE is a manga series that ran in Japan from 1986 to 1996, first in weekly installments in Weekly Morning comics anthology and then collected into 32 volumes of tankubon trade paperbacks. Granted, it was never published in English in the West, though the series was adapted into a six-episode anime series, an edited-down version of which was released on DVD in the US back in 1996. I'd read some of the Chinese editions of the manga back in the 90s but have never been able to find the rest of the series, including the final. Chinatown comic shops are notoriously neglectful about their titles – I'd have better luck finding lost Jack Kirby art pages than the Chinese editions of THE SILENT SERVICE at this point.

On paper, THE LAST RESORT comes with a high pedigree: apart from a respected theatrically-trained actor like Andre Braugher as the captain and a solid cast, the co-creator is Shawn Ryan, best known for creating THE SHIELD and the director of the pilot is Martin Campbell, who not only directed the BBC classic EDGE OF DARKNESS and its recent pointless US remake starring Mel Gibson, but also rebooted James Bond twice with GOLDENEYE and CASINO ROYALE, rebooted Zorro with THE MASK OF ZORRO and, somewhat less successfully, the recent GREEN LANTERN movie. What a lot of people said was the show looked like CRIMSON TIDE on a tinier TV budget, which is the closest comparison they could come up with.
What interests me about political fictions like THE SILENT SERVICE and THE LAST RESORT is what they say. THE SILENT SERVICE was about the Cold War, the nightmare of Nuclear Proliferation and Mutually-Assured Destruction. The captain and crew of the nuclear sub in the manga decide to secede from Japan and declare themselves independent from Japanese or US orders. The sub and its crew then becomes a nationalist allegory for Japan itself, with the desire to be an independent military power free from dictates of America. THE LAST RESORT takes on symbolic and allegorical post-911 layers as well: the crew of the sub becomes the representation of a conflicted and divided America, misunderstood and declared outlaws for questioning orders they found dubious and suspecting they're being used as pawns in a neocon conspiracy to start another World War. It even ends its first episode with the subversive declaration by the captain that they might need to leave America because it has become too corrupt to live in. There is no way this show or its sentiments could have been greenlit between 2001 and 2010. That was the pro-War era of W and 24. Some critics even read the captain as an Obama manqué. I don't say any of this is good or bad, just reading what's been embedded in the stories.

One thing I'm pretty sure of: THE LAST RESORT isn't going to last as long as THE SILENT SERVICE did.
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Look! It Moves! © Adisakdi Tantimedh
 
         
       
      










