Marvel Comics just announced Extreme Carnage Alpha, kicking off a mini-Carnage event for July, with the new Flash Thompson Anti-Venom joining the cast of symbiotes on the out. With writer Clay McLeod Chapman and artist Chris Mooneyham reuniting to return to Carnage symbiote spinoff, Scream Her previous title was cancelled as part of the pandemic, with[...]
Chris Mooneyham Archives
Now scheduled for August 26th, the Daredevil Annual will now be drawn by Manuel Garcia and Chris Mooneyham.
Garcia and Mooneyham Replace Chris Sprouse on Daredevil: One More Day Image from Marvel.
The original Spider-Man: One More Day was a four-part 2007 comic book crossover storyline, connecting the three main Spider-Man series concurrently published by Marvel Comics[...]
That happens at the end of this issue, and then someone gets sucked into a freaking phone, which is also immeasurably silly.
Nightwing #47 art by Chris Mooneyham, Klaus Janson, and Nick Filardi
On the other hand, Chris Mooneyham's art on this comic is fantastic He, along with Klaus Janson's inks, bring a gritty and dirty aesthetic[...]
Some of the Dick Grayson charm is still in there, and I'm not going to say no to Batgirl as a guest star.
Nightwing #46 art by Chris Mooneyham, Klaus Janson, Scott Hanna, and Nick Filardi
Chris Mooneyham is joined by Lalit Kumar Sharma as artist on this issue The two have very complementary styles, giving Bludhaven[...]
There are some moments where the comic can sound a little like a Luddite, but it raises some genuine points about the internet age, the doxxing plot point being among them.
Nightwing #45 art by Chris Mooneyham, Klaus Janson, and Nick Filardi
Chris Mooneyham brings a more classic look to Nightwing than previous artists The detailing is[...]
The other option of him being the villain would be a bit tasteless.
Nightwing #44 art by Chris Mooneyham and Nick Filardi
Chris Mooneyham's artwork is a fantastic fit for Nightwing It's kinetic, gritty, and lends itself to the noir hybrid atmosphere of the comic There were a few panels, especially in the dark of the crime[...]
Walker and Chris Mooneyham gives us a new look at a classic villain They do so by adhering to the simple truth that almost no one is thoroughly evil, and the best way to do show a different side to a rogue is to keep the camera (or panel) on them in their private moments.
Walker[...]
Barbiere and Chris Mooneyham's Five Ghosts tells the story of a 1930s-era treasure hunter possessed by five literary ghosts (Merlin, Robin Hood, Sherlock Holmes, Musashi and Dracula) whose abilities he can draw on during his adventures. UCP has optioned the TV series rights from Black Mask and has signed Evan Daugherty (Snow White and the Huntsmen, Divergent) to write the[...]
Part of that is certainly Chris Mooneyham's evolving artwork, which is particularly strong this arc, and the committed writing of Frank Barbiere (of which other publishers like Dark Horse and Valiant have now taken note) Add Lauren Affe's great instinct for colors and skill in execution on the book and that's the combination that's made[...]
So, as promised, I’m traveling in the UK this week from the States and wasn’t sure whether I could crash in on a UK retailer, but Orbital Comics in London
By Rich Johnston and Hannah Means-Shannon Graphic novels this year, whether stand-alone or part of an ongoing series of collections, whether
Let's hope there's more Strong coming after Planet of Peril wraps up since this team of creators seems to have a grip on just how much is possible in terms of storytelling with the characters.
Five Ghosts from Image Comics returns to continuity this week with issue #7 after the Japan-set one-shot in #6, and it's[...]
The breakaway success here is clearly the newcomer Five Ghosts from Image by Frank Barbiere and Chris Mooneyham for mini series of the year But let's just say again, as we did at the Harvey Awards, how good it is to see Fiona Staples getting some attention at last.
Here's the complete list of winners:
Editor of[...]
The first two issues feature art by Chris Mooneyham and colors by Fares Maese are rooted in those old Hammer horror woods, everything drenched in black, blue and other worldly red.
There's some astonishing work in these two issues, especially the reveal on Karnstein's raven-men seen above and Mercy's first transformation, tearing its way across a[...]