Kaitlyn Booth Archives

Review: Pacific Rim Uprising isn't as good as the first one, but it's a fun movie that doesn't take itself too seriously with plenty of giant monsters versus giant robot fun.

Tomb Raider doesn't have the most compelling story but we so rarely get to see female characters in roles this physical it keeps the movie interesting enough to watch.

Review: A Wrinkle in Time takes a little while to get going, but once it does, the beautiful visuals and strong emotional through line make it more than worth a watch.

Review: Annihilation is the best kind of smart science fiction with stunning cinematography, creepy-as-hell visuals, and great performances by the lead cast.

Review: Game Night is one of those rare mid-tier comedies that has a few laughs, but isn't consistently good enough for a recommendation.

Review: Red Sparrow commits the deadly sin of the spy thriller by being boring and poorly paced and tops it off with rape, attempted rape, and sexual coercion.

Black Panther is not only an important movie culturally, but it's also thrilling, dramatic, and gorgeous in a way we don't get to see very often in action movies.

Review: Fifty Shades Freed is just as awkward and unsatisfying in every way as previous entries into this uninteresting series.

Review from Sundance 2018: 'Search' overcomes what should have been a goofy premise to be legitimately thrilling and enjoyable.

Learn which films both the jury and audiences liked the most! Check out the 2018 Sundance Film Festival awards right here.

Review from Sundance 2018: I Think We're Alone Now takes the post-apocalyptic genre and looks at it from he eyes of someone who feels more at home in a world without people.

Review from Sundance 2018: Minding the Gap looks at the lives of three young men growing up in Rockford, Illinois in an intimate and thought-provoking way that will hit like a punch to the gut.

Review from Sundance 2018: White Fang is a beautifully animated telling of the classic story all of us read in grade school.

Review from Sundance 2018: Ophelia takes one of the most misunderstood women in classic literature and gives her new dimensions as we look at the world through her eyes.

Review from Sundance 2018: Assassination Nation takes the Salem witch trials to the modern age — but gives the “witches” in question automatic weapons with which to fight back.

Review from Sundance 2018: Seeing Allred aims to humanize one of the polarizing figures in recent memory by showing us where she came from and where she gets her drive.

Review from Sundance 2018: An Evening with Beverly Luff Linn appeals to a very specific set of fans of a very specific genre, and those fans are bound to love it. Everyone else likely won't get the joke.

A year ago men and women took to the streets of Park City, Utah during the Sundance Film Festival to march down main street in protest as they feared the

Review from Sundance 2018: The Tale is a deeply personal and at times hard-to-watch story of a woman coming to terms with her own sexual assault as a child.

Review from Sundance 2018: Bisbee '17 doesn't entirely work because of pacing issues, but watching a small town come to terms with its own dark past is fascinating.

Review from Sundance 2018: American Animals starts off like a fun heist movie — until reality comes crashing down in a tonal shift that has no right to work as well as it does.

Review from Sundance 2018: Beast has an interesting concept and takes the story in intriguing directions, but only has enough material for a short rather than a feature.

When police officer Asger Holm (Jakob Cedergren) is demoted to desk work, he expects a sleepy beat as an emergency dispatcher. That all changes when he answers a panicked phone call from a kidnapped woman who then disconnects abruptly in The Guilty.

Review from Sundance 2018: Our New President is a point-blank look at the Russian propaganda machine and how it presents United States politics.

Today at Sundance in the annual press conference, Robert Redford, Keri Putnam, and John Cooper spoke to Barbara Chai about #MeToo, change, and more.

Review: Jumanji: Welcome to the Jungle doesn't take advantage of its premise, instead going for lazy lowbrow humor and not much else.

Star Wars: The Last Jedi takes unexpected risks, keeps you on the edge of your seat, and is emotionally moving in a way that will be leave fans stunned.

Review: The Post is a vital look back at the importance of freedom of the press and how that so relevant in our modern age.

Three Billboards Outside Ebbing, Missouri is a flawless example of how amazing the genre of dark comedy is by walking the line of "too far" perfectly.

Review: Coco is another Pixar masterstroke. While it stalls a bit in the middle, the film comes back for one hell of a third act.