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Marvel Multiverse RPG Playtest Rulebook Released On Marvel Unlimited
D616 SYSTEM: Mike Capps, Matt Forbeck & John Nee
WRITER: Matt Forbeck
COVER ARTISTS: Iban Coello & Jesus Aburtov
VARIANT COVER ARTISTS: Peach Momoko; Logan Lubera & Rachelle Rosenberg
CARTOGRAPHY: Brian Patterson
LOGO DESIGN: Jonathan Silva
GRAPHIC DESIGNER: Simeon[...]
jesus aburtov Archives
RB Silva and colorist Jesus Aburtov do an especially good job with motion in the issue, as Captain America and the Falcon track a moving train allegedly carrying Super-Soldier serum while flying.
A panel from Captain America: Symbol Of Truth #1
It's too soon to say anything meaningful about the series yet, but Captain America: Symbol Of[...]
Plastic Man is Gail Simone's other attempt at a book like this right now, and it's currently running a lot more smoothly.
Domino #4 art by David Baldeon and Jesus Aburtov
David Baldeon's artwork gels mostly well in this issue The panel-dressing and creativity attributed to the training session with Shang is genuinely cool The facial expressions[...]
The color art of Jesus Aburtov is bright and appealing though, and that does help the Baldeon panels.
Domino #3 is a charming but heavily flawed comic The undercut emotional intensity of the opening worsened by saccharine scenes that aren't earned While Domino is still likable herself and salvages much of the book, the full product[...]
I'm not generally a fan of Howard Chaykin's art, but his segment, with color artist Jesus Aburtov, looks quite good too.
Captain America #702 provides a stark improvement over the previous issue The story takes more unique turns, Jack Rogers is allowed room to breathe as a character, and the art team contributes some great work[...]
It's also weird seeing X-Men and Taskmaster in the same room and not fighting.
Domino #2 art by David Baldeon and Jesus Aburtov
David Baldeon's artwork continues to impress with its focus on expression and motion The action sequences look really good as a result, and the somber moments with Neena are solid There is certainly a[...]
Silva, Adriano di Benedetto, and Jesus Aburtov
R B Silva's artwork is solid and improves on criticisms I've leveled towards the artist in the past The detailing is solid, and the characters are expressive Wolverine's head looks too large in some scenes Silva and Adriano di Benedetto's inking is a little too thick for the style[...]
Of course, the big smash-down between Hulk and General Maverick's Red Hulk/Iron Hulk (which has already been cover-spoiled) is saved for next issue.
Avengers #684 art by Paco Medina, Joe Bennett, Juan Vlasco, Ruy Jose, Jesus Aburtov, and Morry Hollowell
Joe Bennett's artwork leads into the comic well too He makes the Hulk look as mean and[...]
Let's dive into Cable next…
Cable #154
Writer: Ed Brisson
Artist: Jon Malin
Colorists: Jesus Aburtov with Federico Blee
Letterer: Travis Lanham
Cover: Jon Malin and Juan Fernandez
Cable #154 is the final chapter in the Newer Mutants storyline, which sees the titular time-travelling mutant pluck versions of Longshot, Shatterstar, X-23, Armor, and Doop from the timestream in an attempt to solve[...]
That's the whole point.
Now then…
Cable #153
Writer: Ed Brisson
Artist: Jon Malin
Colorist: Jesus Aburtov
Leterer: Travis Lanham
Damage: $3.99
Cable #153 is part 4 of the Newer Mutants storyline, in which Cable gathers various X-Men from the timestream to help him solve a murder mystery involving the Externals, an immortal cabal of mutant antagonists from the Rob Liefeld era with[...]
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U.S.Avengers #12 from Marvel Comics by Al Ewing, Paco Diaz, Jesus Aburtov, and Joe Caramagna is a great example of when Marvel Comics can do really well, with a fun superhero adventure story that also has a layered commentary on the world outside our window This particular issue takes a very specific focus on[...]
Secret Empire #10 is satisfying, but it still suffers from being a Secret Empire ending, with many of the same hang-ups of the series as a whole.