Sundance Archives

We chat with Meredith Perry & Tracy Droz Tragos about their film , PLAN C, premiering at Sundance & access to safe abortions.

Patrick Lawrence, editor of the short film Mirror Party by Bridey Elliott, talks about the editing process and roleplaying breakup conversations.

Onyx the Fortuitous and the Talisman of Souls writer and director, Andrew Bowser, chats with us about Sundance and creating absurdity in film.

Director Jake Van Wagoner talks to Bleeding Cool about his sci-fi romantic comedy Aliens Abducted My Parents and Now I Feel Kinda Left Out.

Director Jacqueline Castel talks to Bleeding Cool about her feature debut in the LGBTQ supernatural drama My Animal for Sundance, and more.

Emma Tremblay and Jacob Buster talk to Bleeding Cool about their sci-fi comedy Aliens Abducted My Parents and Now I Feel Kinda Left Out.

Stars Will Forte and Elizabeth Mitchell talk to Bleeding Cool about Aliens Abducted My Parents and Now I Feel Kinda Left Out for Sundance.

If you're wondering why the name Zola sounds familiar, there's a solid chance it's for a very unexpected reason. In 2015 a woman named Aziah Wells (by the

The Great Hack is too long but it's a large information dump about Cambridge Analytica and the world we live in where data is the most valuable resource.

Paradise Hills is one of the most visually beautiful movies of the festival but the strange plot will make it extremely divisive.

Extremely Wicked, Shockingly Evil and Vile aims to put a new spin on one of the most famous serial killers but instead loses focus in the latter half.

Apollo 11 is a documentary in the truest form in that there is no narrator, just mission control, and a technological marvel.

Leaving Neverland four hour brutal, graphic, and unflinching look at the allegations made against Michael Jackson and the fallout for the victims.

The Inventor: Out for Blood in Silicon Valley looks to examine how a company worth $9 billion dollars managed to completely flame out in a matter of years.

Review from Sundance 2018: 'Search' overcomes what should have been a goofy premise to be legitimately thrilling and enjoyable.

Learn which films both the jury and audiences liked the most! Check out the 2018 Sundance Film Festival awards right here.

Review from Sundance 2018: I Think We're Alone Now takes the post-apocalyptic genre and looks at it from he eyes of someone who feels more at home in a world without people.

Review from Sundance 2018: Minding the Gap looks at the lives of three young men growing up in Rockford, Illinois in an intimate and thought-provoking way that will hit like a punch to the gut.

Review from Sundance 2018: White Fang is a beautifully animated telling of the classic story all of us read in grade school.

Review from Sundance 2018: Ophelia takes one of the most misunderstood women in classic literature and gives her new dimensions as we look at the world through her eyes.

Review from Sundance 2018: Assassination Nation takes the Salem witch trials to the modern age — but gives the “witches” in question automatic weapons with which to fight back.

Review from Sundance 2018: Seeing Allred aims to humanize one of the polarizing figures in recent memory by showing us where she came from and where she gets her drive.

Review from Sundance 2018: An Evening with Beverly Luff Linn appeals to a very specific set of fans of a very specific genre, and those fans are bound to love it. Everyone else likely won't get the joke.

A year ago men and women took to the streets of Park City, Utah during the Sundance Film Festival to march down main street in protest as they feared the

Review from Sundance 2018: The Tale is a deeply personal and at times hard-to-watch story of a woman coming to terms with her own sexual assault as a child.

Review from Sundance 2018: Bisbee '17 doesn't entirely work because of pacing issues, but watching a small town come to terms with its own dark past is fascinating.

Review from Sundance 2018: American Animals starts off like a fun heist movie — until reality comes crashing down in a tonal shift that has no right to work as well as it does.

Review from Sundance 2018: Beast has an interesting concept and takes the story in intriguing directions, but only has enough material for a short rather than a feature.

When police officer Asger Holm (Jakob Cedergren) is demoted to desk work, he expects a sleepy beat as an emergency dispatcher. That all changes when he answers a panicked phone call from a kidnapped woman who then disconnects abruptly in The Guilty.

Review from Sundance 2018: Our New President is a point-blank look at the Russian propaganda machine and how it presents United States politics.