REVIEW: Sleeping Beauties #1 and #2 from IDW Publishing adapt Stephen King & Owen King's novel into a pandemic comic that hits close to home.
Comics Publishers Archives
Last week, publishers Bad Idea led by former Valiant execs Warren Simons, Dinesh Shamdasani, Hunter Gorinson, Josh Johns and Atom Freeman – returned to
REVIEW: Empyre: Savage Avengers #1 teams Conan up with Venom to wage war against the Cotati vegetative invaders in Mexico City.
He-Man and the Masters of the Universe got new life in 2002. However, the animated series would see it's last episode done not in animation, but as a comic.
There’s a good story in Monika, and in a different world, Titan could’ve capitalized further on it but hindsight’s 20/20.
REVIEW: Empyre #3. Can this issue and its focus on Black Panther fighting to save the world save Marvel's worst event ever?
REVIEW: Empyre: Captain America #1 narrows the event's global focus to Steve Rogers and a group of soldiers, creating the best Empyre tie-in.
REVIEW: X-Factor #1 brings a team of dynamic mutants together for a compelling reason, but is there time for the characters to shine?
Batman: Gotham Nights #15 likewise remembers that, despite some rather dour subject matter, that comics can be fun.
Just when you think Suicide Squad #7 about to go one way, there’s a surprise that changes up the entire game.
Star Wars: Darth Vader #3 is not an anecdote in the legend that will be recalled as glorious or memorable, just another sad chapter of a lost boy.
REVIEW: Bliss #1. The new comic from the team that brought you Coyotes from Image Comics is starring... Lin-Manuel Miranda!?
REVIEW: Spider-Man: Sins Rising Prelude shows that Nick Spencer still has the energy of that indie creator stormed the comics scene in 2010.
Now, let’s be clear, Kill Lock is not a feel good story. Still … this figured out all the angles and Kill Lock #6 really, really good.
Legion of Super-Heroes is taking some time to find its footing, but at least Legion of Super-Heroes #7 looks amazing as it does so.
REVIEW: Spider-Man FCBD offers a double feature comic of Jed MacKay's Black Cat and Donny Cates and Ryan Stegman's Venom.
Kevin Eastman was joined by Tom Waltz, Ben Bishop, and David Avallone to talk about his career, TMNT The Last Ronin, and Drawing Blood.
Hellblazer: Rise and Fall #1, the first issue of the new DC Comics foiur-issue miniseries by Tom Taylor and Darick Robertson, is on Final Order Cutoff on
George Gene Gustines spoke with John Barber and Chris Ryall about all things IDW for Comic-Con@Home with Sonic, Parker, G.I.Joe & more news.
Keanu Reeves is teaming with Boom! and Matt Kindt to do BRZRKR. Kindt was asked about the book, and he talked about working with Reeves.
If you liked Chew Chu #1 will likely whet your whistle as well, and it’s a well crafted, enjoyable issue that leaves it all on the field … er, plate.
Everybody here knows how to do comics, but somewhere along the line, perhaps too many eggs got broken in the effort to make Batgirl #47's omelette.
The Red Cloud is a newspaper reporter/mob enforcer with aerosolized super powers that even threatened the life of the Not So Last Son of Krypton. She’s
Doctor Who: Time Lord Victorious is arguably the most ambitious publishing venture for Doctor Who, across various medium short of television. Titan
This year's Power Rangers Boom! Studios SDCC panel was chockful of teases and conversation on the future today.
Die #12 is, by no means, a bad book. Now that last page is canon, alas, it does mean that this series lost a step, and that’s a bad roll of the, well … die.
The good elements were equaled by those that didn't hold water, so Lords Of Empyre Emperor Hulking #1 is a better primer for the larger story.
Behemoth Comics is launching a new series by Gabriel Arrais and Abel in Octobr, Necromorfus about a young man who becomes the dead people he touches, as
So, as well as launching his self-publishing-in-a-week empire, James Tynion IV also talked about his current run on Batman on his Tiny Onion newsletter.
Heathen Volume 1 (by Natasha Alterici and Rachel Deering) is one of Vault Comics’ breakout successes. The team, now with artist Ashley A. Woods, currently