Ernie Hudson (Boston Blue) spoke with Bleeding Cool about the legacy of NBC's Quantum Leap sequel spinoff, cancellation, Netflix, and more.
Tom Chang Archives
Star Trek: Strange New Worlds stars Paul Wesley and Ethan Peck reflect on the Season 3 finale and that climactic Kirk-Spock Vulcan mind-meld.
LEGO Star Wars: Rebuild the Galaxy star Ashley Eckstein spoke with Bleeding Cool about how she protected Ahsoka and her podcast, HypeFriend!
Sam Morgan (Shameless) spoke with Bleeding Cool about his path to acting, NYU filmmaking, moving to LA, film vs. TV preferences, and more.
Marina Sirtis (The Sunshine Murders) hopes Troi will return in a future Star Trek project, but doesn't see another TNG reunion happening.
Sean Whalen (The Bold and the Beautiful) spoke to Bleeding Cool about the Saban horror thriller Traumatika, Kennedy, creatives & more.
LEGO Star Wars: Rebuild the Galaxy - Pieces of the Past star Ashley Eckstein spoke with Bleeding Cool about the showrunners honoring Ahsoka.
Jeremy Ray Taylor (London Calling) spoke with Bleeding Cool about his time on ABC and David E. Kelley's crime drama, Big Sky.
Stephen Tracey (Invasion) spoke with Bleeding Cool about his time on The Expanse, the show's legacy, the cast's bond, and much more.
Stephen Tracey (The Expanse) spoke with Bleeding Cool about joining AppleTV+'s series Invasion, working with the showrunners, and more.
Star Trek: Khan composers Marcus and Sam Bagala spoke with Bleeding Cool about building to the audio drama's finale and soundtrack hopes.
Star Trek EP Akiva Goldsman on his "dream" to expand Strange New Worlds into Year One, set before the experienced Kirk leads ST: TOS.
Star Trek: Khan composers Marcus and Sam Bagala discussed blending the scores of the TOS films and new Trek sound for the audio drama.
Olivia Cooke (House of the Dragon) on reluctant actors being branded "difficult" with sex scenes and the need for intimacy coordinators.
Star Trek: Khan composers Marcus and Sam Bagala spoke with us about seeking inspiration from both within and outside of the franchise.
The Paper co-creator Greg Daniels discusses the importance of distinguishing the Peacock spinoff from NBC's original series, The Office.
Kirsten Beyer (Starfleet Academy) spoke with Bleeding Cool about bringing in George Takei and Tim Russ for Star Trek: Khan, and the franchise's future.
Director Pierre Tsigaridis and co-writer Maxime Rancon spoke to Bleeding Cool about their latest Saban supernatural horror film, Traumatika.
Chloe Bennet discusses Marvel's Agents of S.H.I.E.L.D. and MCU canon, noting that having Quake appear would've improved "Secret Invasion."
Jon Cryer on CBS's treatment of his Two and a Half Men co-star Charlie Sheen being similar to how North Korea's Kim Jong-il is treated.
Rebekah Kennedy (Psyche on Sunset) spoke to Bleeding Cool about her latest supernatural horror film, Traumatika, for Saban, creatives, and more.
Star Trek: Khan writer Kirsten Beyer spoke with Bleeding Cool about bringing Nicholas Meyer's podcast to life, honoring the past, and more.
Director Pierre Tsigaridis and co-writer Maxime Rancon spoke to Bleeding Cool about their biggest influences for the horror film, Traumatika.
Kate Mulgrew expressed frustration at the lackluster studio support following Netflix's cancellation of Star Trek: Prodigy after two seasons.
Jon Cryer shared his reluctance to join the Netflix documentary "aka Charlie Sheen," reflecting on Sheen's "Two and a Half Men" meltdown.
Madison Lawlor and Orion Smith spoke to Bleeding Cool about playing younger Lorraine & Ed in The Conjuring: Last Rites, Farmiga, Wilson & more.
The Office star Rainn Wilson on some of the show's humor aging poorly and how NBC "dropped the ball" on the scrapped Dwight spinoff.
Wrenn Schmidt spoke with Bleeding Cool about how playing Star Trek: Khan's Marla McGivers compares to For All Mankind's Margo Madison.
Wrenn Schmidt (For All Mankind) spoke with Bleeding Cool about her role as Marla McGivers in Star Trek: Khan, Khan-Marla naunces, and more.
Ted Danson on Cheers' legacy and taking non-Sam Malone-like roles to avoid typecasting with It's Always Sunny in Philadelphia's Charlie Day.

























