Kaitlyn Booth Archives

Screenwriter Derek Kolstad helped elevate the genre with the John Wick series, and Nobody can't quite reach those heights. It still kicks ass, though. 

The Falcon and the Winter Soldier episode one isn't the game-changer WandaVision was, but it does a good job of setting up this new series.

Raya and the Last Dragon might be telling a very familiar story, but between the stunning animation, a cast of lovable characters, and a fresh outlook

The Little Things starts off as a paint-by-numbers cop thriller that is utterly mediocre aside from good performances from its main cast until the end

Soul is yet another homerun not just for director Pete Docter, who is almost scary good at this point, but also one of Pixar's best.

Wonder Woman 1984 had some impossible shoes to fill, but, in the end, this extremely bloated sequel has some fun moments but is overall just another

Rebecca has some big shoes to fill with the classic novel and an award-winning Hitchcock adaptation, and this Netflix adaption falls pretty short.

Tenet is trying to be deep but the convoluted storyline means we have homoeroticism with fantastic menswear in between awesome set pieces.

Mulan is by far the best of live-action Disney remakes as it takes a familiar story and twists it to create something that truly makes it feel new and epic. 

The New Mutants takes way too long to get going, does way more telling than showing, but is ultimately a mediocre entry into an inconsistent franchise. 

Onward is a love letter to all things classic fantasy and D&D but it's also one of those universal stories about how far you would go to see someone

The Invisible Man takes a classic movie monster and revamps it for the modern age while also being a very good thriller.   Director: Leigh Whannell

The Gentlemen is a return to form for Guy Ritchie movies and while all of that works the casual racism sprinkled throughout the entire movie just cannot

Cats is a strange beast to begin with, but the combination of strange CGI makes the translation from stage to screen even worse. Director: Tom Hooper

Star Wars: The Rise of Skywalker features some very strange pacing, odd structure, and is likely the least cinematic of the new era of films but still

Ford v Ferarri is thrilling, energetic, funny, heartwarming, and everything that you would expect from one of the best movies of the entire year.

Charlie's Angels might not have a lot on its mind but it is a fun and entertaining female-centric action that we ladies don't have nearly enough of.

Frozen 2 is a deeper and darker sequel that is technically better than the first one but doesn't feel like the game-changer that Frozen was. Directors:

Midway is, unfortunately, a rather mid-tier World War II movie that makes the Battle of Midway feel oddly secondary in a movie bearing its name. Director:

Jojo Rabbit aims to tackle the difficult subject matter blind devotion and a coming-of-age film with grace and comedic flair that just works. Director:

Doctor Sleep is a slow-moving and but fantastic return to the world of The Shining that relies on a fantastic world-building and atmosphere instead of

Joker is desperate to be a different and profound comic book movie but in the end, it is dull and limp that doesn't have anything interesting to say.

Terminator: Dark Fate might not be the most impressive return to form but it's an entertaining enough action movie with some fun performances.

Hustlers is a glorious mix of sex and scandal while telling an absolutely insane "rob from the rich" story.

The Goldfinch is a boring slog of a film where it non-linear storytelling somehow makes it even more incoherent.

Pennyworth is surprisingly funny with plenty of great action and a real sense of style.

FOX's "Prodigal Son" might not have the most original concept but the devil is in the details and the details of this show have some promise...

While there is certainly the awkwardness that usually comes from a pilot and everyone settling into their roles, The CW's "Batwoman" has potential...

The Lion King is a technical marvel unlike anything you've seen but is more or less a shot for shot remake of the original animated movie.

Spider-Man: Far From Home is the perfect way to end the third phase of the Marvel Cinematic Universe; with humor and a ton of heart.