The director of the iconic 1990 holiday flick Home Alone reveals the one sequel idea that he was previously interested in exploring.
Aedan Juvet Archives
A self-proclaimed pop culture aficionado with a passion for all things horror. Words for Cosmopolitan, Screen Rant, MTV News, NME, etc.
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Filmmaker James Cameron shares his thoughts on Alien 3 and its choice to kill core characters from the popular sequel.
A producer attached to The Purge franchise from Blumhouse offers fans an update on the status of the long-awaited sixth installment.
The director of the new Anaconda film explains how they convinced one of the stars of the original to return for a surprise cameo.
One of the stars of Avatar: Fire and Ash teases that their character's fall may not be the end, saying, "who knows what's in store."
Paul Feig explains how he tried to twist The Housemaid’s story so that even book readers “almost kind of forgot the book for a while.”
Letitia Wright says Ryan Coogler told her she would direct one day, and how that encouragement helped with her latest project.
Sigourney Weaver explains how Kiri “comes of age” in Avatar Fire and Ash, forced to trust her instincts and face Eywa’s mysteries.
The Housemaid director Paul Feig says “Millie is not done,” as he and star Sydney Sweeney tease how the thriller’s ending sets up sequels.
Frank Darabont explains why he turned down Stephen King’s The Dark Tower, calling it a “diabolically difficult” epic.
Kristen Stewart reflects on the Twilight saga, from Catherine Hardwicke’s stamp on the first film to sequels she calls “bizarrely” themselves.
Teenage Mutant Ninja Turtles: Chrome Alone 2 - Lost in New Jersey director talks about the short film's focus on handcrafted art.
Jonathan Bailey on how Ariana Grande and Cynthia Erivo reshaped their voices and pushed themselves for this theatrical, two-part Wicked event.
Margot Robbie explains why Emerald Fennell’s new Wuthering Heights is more romantic than raunchy, teasing a messy love story for 2026.
Zootopia 2 filmmakers reflect on the five-year process and 700-person team behind the sequel, and how it feels to finally share it.
Matthew Lillard describes his reaction to being asked back for Scream 7 and talks about keeping Stu’s comeback a secret.
Five Nights at Freddy’s 2 director Emma Tammi explains how the sequel’s ending and post-credits tease set up a possible third film.
The director of the upcoming animated film Teenage Mutant Ninja Turtles: Mutant Mayhem 2 says the film is making headway.
Patrick Wilson shares his thoughts on the future of Ed and Lorraine Warren, and if he's open to returning to The Conjuring universe.
Five Nights at Freddy's 2 star Matthew Lillard addresses his character's role in the sequel and how it plays into a potential third film.
Teenage Mutant Ninja Turtles: Mutant Mayhem director Jeff Rowe reveals why he won't be returning for The Mitchells vs the Machines sequel.
David Corenswet reveals how he convinced James Gunn to keep Clark's chuckle after Lois's love confession in Superman.
Five Nights at Freddy's 2 star Matthew Patrick explains why the franchise's mysterious lore is "constantly malleable."
Teenage Mutant Ninja Turtles: Chrome Alone 2 – Lost in New Jersey producer discusses Chrome Dome's revamped look in the upcoming short.
Eternity director David Freyne explains why Joan and Larry’s ending is still a “happily ever after,” even with lifelong what-ifs.
Ariana Grande reveals one of Wicked: For Good’s most emotional Glinda and Elphaba scenes nearly got cut, and how Jon M Chu fought to keep it.
Quentin Tarantino reveals he wants to make a Kill Bill prequel focused on Bill’s origin, just as The Whole Bloody Affair hits theaters.
Director Michael Showalter discusses Verity, his upcoming dark and twisted adaptation of Colleen Hoover's thriller, with Anne Hathaway.
Director Shawn Levy reveals that his upcoming movie Star Wars: Starfighter was mostly influenced by Return of the Jedi.
Hugh Jackman hints he may not be done as Wolverine, saying he is "never saying 'never' ever again" as Avengers: Doomsday rumors continue.