REVIEW: Heavy #2 from Max Bemis & Eryk Donovan skillfully puts the reader in Bill's shoes as he's swept up in the charm of a psychopath.
Vault Archives
REVIEW: Giga #1 is a well-conceived sci-fi debut from Alex Paknadel & John Lė that offers something too rare: trust in the reader.
It's Vault Comics time. Right now, Image Comics, Boom Studios, IDW and Dynamite have extended the returnability of their comic books to comic book stores.
REVIEW: The Devil's Red Bride from Vault Comics, described as a "love letter to samurai fiction," is a debut with potential.
Cavan Scott has a Writer’s Commentary on Shadow Service #2, published by Vault Comics. Have you got your copy to hand? Then we are away. And we’re back
REVIEW: Shadow Service #2 sees this new comic from Cavan Scott and Corin Howell become one of Vault Comics' best titles.
REVIEW: Engineward #3 from Vault Comics continues to show the series' great potential, but does the story follow through on it?
Vault Comics are publishing A Dark Interlude, the meta-sequel to White Noise Studio's Ryan O'Sullivan and Andrea Mutti's meta-comic, Fearscape. to promote
A Dark Interlude is the meta-sequel to the meta-comic book Fearscape about an author, Henry Henry, dealing with the literal consequences of his creations
Vault Comics is one of those smaller creator-owned comic book publishers, literally down the dial. While other similar publishers huddle in the As - you
REVIEW: Vampire: The Masquerade #2 feels like vampires by way of Vertigo, with Seeley & Pramanik delivering a fresh take on familiar horrors.
We first mentioned this comic a year ago, at a comic convention, back when we had those still. A new comic book series by Dan Watters and Kishore Mohan
REVIEW: Heavy #1 sees Max Bemis & Eryk Donovan imagine a unique version of Purgatory that feels like The Punisher meets What Dreams May Come.
Vault Comics has rescheduled two of their ongoing series after shutdown, with Sera & The Royal Stars #10 being lined up for the 16th of December.
Resonant, by David Andry and Alejandro Aragon, had #1-5 published by Vault Comics last year, from January to November. It is now returning from Vault in
I reiterated back in May this year that there were two graphic novel imprints from two different comic book publishers, both called Myriad. One from Vault
REVIEW: Engineward from Mann & Eisma could become great sci-fi epic if the reader is given the chance to invest in the characters.
I Walk With Monsters is a dark, heartfelt horror comic book series coming from Hugo-nominated Doctor Who writer Paul Cornell, artist Sally Cantirino and
Cavan Scott has a Writer's Commentary on Shadow Service #1 from Vault Comics. He writes; Hello! Thanks for joining me at the beginning of an adventure.
A couple of recent releases caught my eye, Dark Horse Comics' Blacksad: Collected Stories and Vault Comics' Vampire: The Masquerade #1. I thought I'd give
REVIEW: Shadow Service #1 from Cavan Scott & Corin Howell, another win from Vault Comics, is a witchy take on the private investigator genre.
Dark Interlude by Ryan O'Sullivan and Andrea Mutti - the sequel to Fearless - is launching from Vault Comics, alongside I Walk With Monsters by Paul
REVIEW: Vampire: The Masquerade #1 sees Hack/Slash creator Tim Seeley return to horror along with Tini Howard, current Spooky Queen of Krakoa.
Vault Comics are launching their new series Giga, by White Noise Studios writer Alex Paknadel and artist John Le, as well as Devil's Red Bride by
Heathen Volume 1 (by Natasha Alterici and Rachel Deering) is one of Vault Comics’ breakout successes. The team, now with artist Ashley A. Woods, currently
Is the long-running indie comic book series a thing of the past, or will publishers besides Image take a chance on finding the next big hit?
REVIEW: Mann and Eisma's Engineward #1 from Vault Comics builds a future where Earth, and all of us, are forgotten.
Vault Comics is launching a Vampire: The Masquerade comic book in August 2020, from Tim Seeley, Tini Howard, Blake Howard, Dev Pramanik and Nathan Gooden.
The Devil's Red Bride is a new comic ook described as a brutal samurai grindhouse epic, by writer Sebastian Girner (Shirtless Bear Fighter, Scales &
Boom Studios and Dynamite Entertainment are the leading proponent of what is known as the FOC cover, releasing cover images just before the Final Order